Alister Spence: Musician/Composer trio

Review of Mercury. CADENCE MAGAZINE (NY), JUNE 2007

'An Australian piano trio incorporating electronics and featuring Swanton on bass? No, it’s not the Necks but this group has a similar surfeit of creative energy and ideas. It really starts with Spence, a wonderfully imaginative pianist with considerable stylistic range. At times (on “Alpha,” for example) his playing is drifting and impressionistic, with an almost Evans-like introspection. Elsewhere, as on “Momentum,” he displays an instinct for the riff and employs some tight left- hand figures. Perhaps the most consistent stylistic impulse he evinces, however, is the influence of Keith Jarrett (his interpolation of idioms, his lyrical intensity).

And regardless of where his stylistic inclinations lead him, he’s got wonderful colleagues. Swanton’s very elastic lines suggest an Eddie Gomez influence to me, while Hall is a real delight, both tasteful colourist and vigourous groove merchant. Honestly they’re at their best when pulse is at the fore, on tracks like “Momentum” (where Hall blends Swing and electronica), “Mercury” (like Tristano on steroids sitting in on The Necks’ “Hanging Gardens”), or “Marco Polo Goes West” (with more shifts in tempo and meter than you can count). But they never sacrifice the space for expression at the heart of their music. Whether they’re engaging in some spidery free improv (“Eagle Man”), gently integrating electronics (on the opener or “Luminescence,” with both live and sampled glockenspiel), or on ballads that are unafraid to be plain pretty (“Sixteen”), the group proves they have other virtues as well. Just when you think you’ll never like another piano trio record, along comes something delightful like this.'
Jason Bivins, Cadence magazine (NY), June 2007

 


THE ALISTER SPENCE TRIO
‘One of the most illuminating musical entities I’ve ever encountered’ Drum Media

 

DISTINCTIVE AND DYNAMIC

Alister Spence- piano / samples
Lloyd Swanton- double bass
Toby Hall- drums, glockenspiel

This trio was formed in Sydney over ten years ago and brings together three of the most exciting, innovative and experienced musicians in contemporary, original Australian jazz music. They have released three CDs on the Rufus Records label, distributed in Australia by Universal Music. Mercury, the latest release has received critical acclaim and is just starting to be discovered overseas.

'Soothing atmospherics, flying swing, meaty grooves, free improvising and tranquil pools of lyricism all come and go, beautifully played and sensationally recorded.
The transformations are always guaranteed to draw you into their captivating musical worlds.’ Sydney Morning Herald, Nov 2006.

The band's two other releases are Flux, nominated for Best Australian Jazz Album in 2004  (‘Sydney-based pianist Alister Spence plays like a dream’ Financial Review), and Three is a Circle, released in Australia in 2000 and also in Japan (2003) on the Earth Spirit label.

‘It would be no exaggeration to say that Spence is fully rivalling the pianists that have brought about the present boom in piano trio music’
Swing Journal, Tokyo 2003

The three members of this band have a long history of playing together, being well known for their collaboration in the ARIA (Australian Record Industry Awards) award-winning band Clarion Fracture Zone (also winner of Five Stars in Downbeat Magazine USA for their 1993 release Zones on Parade).
They are recognised individually as leading performers and composers in contemporary original jazz music in Australia, enthralling audiences both here and around the world.

As a trio this band is noted for its engaging, strong compositions and for the synergy, interplay and energy that they have together. They have recently returned from an outstandingly successful tour of  clubs and festivals in the UK and Canada in June/July 2006. The band plans to return overseas in 2008.
 Reviews from the tour were unanimously positive:

'Compelling....and harmonically inviting' Edmonton Journal, CAN July 06
'The trio's experience together is reflected in a fluency and understanding that allows them generally to change pace and develop pieces with apparent ease....Dynamic music full of incident and building an exciting momentum.' The Glasgow Herald, UK June 06
'Spence has that priceless gift of always leaving you wanting more...He is never less than absorbing.' Jazzwise Magazine, UK Nov 06