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Review of Mercury. CADENCE MAGAZINE (NY), JUNE 2007
'An Australian piano
trio incorporating electronics and featuring Swanton on bass?
No, it’s not
the Necks but this group has a similar surfeit of creative
energy and ideas.
It really starts with Spence, a wonderfully imaginative pianist
with considerable stylistic range. At times (on “Alpha,” for
example) his playing is drifting and impressionistic, with an almost
Evans-like introspection. Elsewhere, as on “Momentum,” he
displays an instinct for the riff and employs some tight left-
hand figures. Perhaps the most consistent stylistic impulse he
evinces, however, is the influence of Keith Jarrett (his interpolation
of idioms, his lyrical intensity).
And regardless of where his stylistic inclinations lead him,
he’s
got wonderful colleagues. Swanton’s very elastic lines suggest
an Eddie Gomez influence to me, while Hall is a real delight, both
tasteful colourist and vigourous groove merchant.
Honestly they’re at their best when pulse is at the fore,
on tracks like “Momentum” (where Hall blends Swing
and electronica), “Mercury” (like Tristano on steroids
sitting in on The Necks’ “Hanging Gardens”),
or “Marco Polo Goes West” (with more shifts in tempo
and meter than you can count).
But they never sacrifice the space for expression at the heart
of their music. Whether they’re engaging in some spidery
free improv (“Eagle Man”), gently integrating electronics
(on the opener or “Luminescence,” with both live and
sampled glockenspiel), or on ballads that are unafraid to be plain
pretty (“Sixteen”), the group proves they have other
virtues as well.
Just when you think you’ll never like another piano trio
record, along comes something delightful like this.'
Jason Bivins, Cadence magazine (NY), June 2007
THE ALISTER SPENCE TRIO
‘One of the most illuminating musical entities
I’ve ever encountered’ Drum Media
DISTINCTIVE AND DYNAMIC
Alister Spence- piano / samples
Lloyd Swanton- double bass
Toby Hall- drums, glockenspiel
This trio was formed in Sydney over ten years ago and brings together
three of the most exciting, innovative and experienced musicians
in contemporary, original Australian jazz music.
They have released three CDs on the Rufus Records label, distributed
in Australia by Universal Music. Mercury,
the latest release has received critical acclaim and is just starting
to be discovered overseas.
'Soothing atmospherics, flying swing, meaty grooves, free improvising
and tranquil pools of lyricism all come and go, beautifully played and sensationally
recorded.
The transformations are always guaranteed to draw you into their captivating
musical worlds.’ Sydney Morning Herald, Nov 2006.
The band's two other releases are Flux,
nominated for Best Australian Jazz Album in 2004 (‘Sydney-based
pianist Alister Spence plays like a dream’ Financial Review),
and Three is a Circle, released in Australia
in 2000 and also in Japan (2003) on the Earth Spirit label.
‘It would be no exaggeration to say that Spence
is fully rivalling the pianists that have brought about the present
boom in piano trio music’
Swing Journal, Tokyo 2003
The three members of this band have a long history of playing
together, being well known for their collaboration in the ARIA (Australian
Record Industry Awards) award-winning band Clarion Fracture Zone
(also winner of Five Stars in Downbeat Magazine USA for
their 1993 release Zones on Parade).
They are recognised individually as leading performers and composers
in contemporary original jazz music in Australia, enthralling audiences
both here and around the world.
As a trio this band is noted for its engaging, strong compositions
and for the synergy, interplay and energy that they have together.
They have recently returned from an outstandingly successful tour
of clubs and festivals in the UK and Canada in June/July
2006.
The band plans to return overseas in 2008.
Reviews from the tour were unanimously positive:
'Compelling....and harmonically inviting' Edmonton Journal, CAN July
06
'The trio's experience together is reflected in a fluency and understanding
that allows them generally to change pace and develop pieces with apparent
ease....Dynamic music full of incident and building an exciting momentum.'
The Glasgow Herald, UK June 06
'Spence has that priceless gift of always leaving you wanting more...He
is never less than absorbing.' Jazzwise Magazine, UK Nov 06
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